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Jean & Scott, Episode 14 by Max Wittert
(IG: @Maxwittert / T: @WaxMittert)
See previous episodes:
He’s back and better than ever, y’all.
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Jean & Scott, Episode 14 by Max Wittert
(IG: @Maxwittert / T: @WaxMittert)
See previous episodes:
He’s back and better than ever, y’all.
By Aaron Coulter
As we move into the second installment of our weekly webcomic round-ups, I want to thank everyone for their suggestions, and to keep things as transparent as possible, mention a few things about how comics are included in each week’s list.
To start, the comic has to be updated within each specific week, or relatively close. If a comic is no longer updating, I probably won’t cover it in the weekly list. If something’s especially great, but nonetheless finished, feel free to mention it in the comments section, and it might be covered for a longer piece someday. Part of the goal of this column is to showcase the variety of webcomic talent publishing on the Internet, but also to provide a quick recommendation of the best recent updates.
Woo, I placed! I’d like to thank my mommy, Chick-Fil-A, and Jesus.
But I repeat myself.
tear-the-bitch-apart asked:
There’s not really any advantage to doing so. In fact, mostly it causes problems. Imagine if you had a webcomic that was all-ages, intended to remain suitable for little kids. Would you want that on the same website as Fucking Time McGee or Sir Swearsalot? You’d also have to find an advertising system that works best for everybody, and such an advertising system just does not exist. You certainly don’t want ads contexted from Fucking Time McGee to show up on For Kidsinstein.
There used to be huge webcomic conglomerates. I was part of one. They don’t work. Well, they work if all you want is to have your pictures show up on the Internet without any other considerations. But to many of us, this is our job.
miggyperson asked:
I don’t think there’s really an equal choice involved, like a guy gets to choose syndication or webcomics. It’s like asking “why do you shoot hoops in your driveway instead of getting drafted by the Nicks?” Even if I had a wholesome gag-a-day comic strip about a beloved pet or something, the chances of being picked up by a syndicate, even in the late 90s/early 00s, was negligibly small. Syndicates pick maybe two people a year to draw new comics for them but they receive thousands of submissions. Why wait around for that unlikelihood when I can just draw the comics I want to draw and put them on my free Tripod site every day? Drawing comics only if and when you’re syndicated is a great way to Never Ever Draw Comics Ever In Your Lifetime.
The real question is, do you want to start a webcomic because you love making comics, or are you in it for the babes and piles of money?
You have to be in it for the babes and piles of money. That is the only reason to do it. “Liking comics” is not a good reason to start a webcomic.

GPOY
The first one there is my most-trafficked webcomic ever. Jury’s still out on the other two. Traffic maintained on Day Two, third day, we’ll see. That’s right, evolution comics are a bigger draw than lesbian smooches.
now to combine the two
Sal as Amazi-Girl! Billie’s reality haha.
Sketch by David Willis at Webcomics Rampage 2012!
yotomoe asked:
Being older and experiencing more does help make a better comic. However, not doing comics doesn’t make you better at doing comics. Draw the comics you’re interested in now.
Shortpacked!: “Comics Follow Society”
Also now you can read Dumbing of Age every day on your iPhone with the app Comic Chameleon! I totes endorse it!
Who is your dad, now?
I WILL reblog this video every damn time I see it because this kids is A GENIUS